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Looking At How Many Art And How Many

Technology In A Architectural Rendering


How many art and how many technology in a architectural rendering is a question that no doubt has many answers. Choosing between art-based techniques and the possibilities technology offers will depend on who the client is, whether there is a deadline, architectural goals, aesthetic aims, and other factors.

By definition, an architectural rendering is a means of creating a two-dimensional image of a proposed space that will occupy three dimensions. Traditional approaches to rendering this kind of representation have included pen and ink drawings, watercolors, and hand drawn sketches. Now computer graphics offer yet another path to convey the architects?vision.

While all the media listed above are all technologies, how the hand based approaches are utilized and mixed with one another is quite different from how a digital program is handled. Moreover, comparing the new media of today with the older, more traditional tools brings to mind how the design and drawing aspects of architecture have always combined art and science.

At its best, aesthetics and creative design are a part of drawing. Hand drawing also is more likely to include notations that point to the architect's style (and flair).

Work done within a digital framework has less room for a personal touch. Many architects supplement these tools with hand sketches, claiming that architectural visualization has more creative space in a pencil-driven environment.

Balancing the perspectives brings to mind that Brunelleschi dome design for the Cathedral of Florence (1419-1436) drew upon his talents as both an artist and engineer. His success, often attributed to his technical and mathematical genius, brought more status to the role of the architect. Yet, many see him more as an artist because he is also credited with making the first paintings that incorporate linear perspective.

As Brunelleschi's achievements remind us today, how many art and how many technology in a architectural rendering is not a problem with a specific answer. Possibly, as architects pursue their creative work they reckon with balancing the sides intuitively.

 

Looking For The Spirit In Thomas Kinkade Works


Have you ever looked into a painting and could not stop stepping into it? This can only happen when a painting is so life like and austere that you simply cannot take your eyes off it. This is how a paintings spirit takes you away. This is how the spirit in Thomas Kinkade works catches everyone that views it.

Some of the cottages that Kinkade paints make you want to go and live in them. They are tucked into beautiful and lush yards while at the same time giving off a romantic sense that captures your heart and soul. Every detail has attention paid to it, from the bricks in the cottage to the blades of grass in the yards. All of the paintings that Kinkade has done of cottages are each individual and named, each one possessing its own special kind of spirit.

Thomas Kinkade is a modern day Michelangelo. He has a unique talent for distributing light and rich colors in such a fashion that every detail is so real you can almost reach out to touch them. Take for instance the way that he plays with light from a setting sun.

The sunlight appears in his paintings to drench every detail in perfection. You can feel the warmth from the rays of sunlight he paints. There is no wonder he has earned the name Painter of Light.

The landscapes that Kinkade paints are no doubt some of the finest to ever have been painted. No matter if the landscape is of the city or in a country setting, the details are fine and each one plays its own in the painting. You could sit for hours and pick out the little things of interest in just one of Kinkades paintings.

The spirit in Thomas Kinkade works is the kind that escorts you to another place, one that you might never want to leave from. His works are delicate in many ways and then strong in others. He has some of the best balance ever in his work and it shows in every single painting.

 

 

Architecture Quotes

"Art, like morality, consists of drawing the line somewhere."
G. K. Chesterton


"In nature, light creates the colour. In the picture, colour creates the light."
Hans Hofmann


"A man who works with his hands is a laborer; a man who works with his hands and his brain is a craftsman; but a man who works with his hands and his brain and his heart is an artist."
Louis Nizer


"The secret of all effective originality in advertising is not the creation of new and tricky words and pictures, but one of putting familiar words and pictures into new relationships."
Leo Burnett


"Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep."
Scott Adams


"It is something to be able to paint a particular picture, or to carve a statue, and so to make a few objects beautiful; but it is far more glorious to carve and paint the very atmosphere and medium through which we look, which morally we can do. To affect the quality of the day, that is the highest of arts."
Henry David Thoreau


"Water which is too pure has no fish."
Ts'ai Ken T'an


"There is always a heavy demand for fresh mediocrity. In every generation the least cultivated taste has the largest appetite."
Paul Gauguin


"If you hear a voice within you say "you cannot paint," then by all means paint and that voice will be silenced."
Vincent van Gogh


"Go some distance away because the work appears smaller and more of it can be taken in at a glance, and a lack of harmony and proportion is more readily seen."
Leonardo da Vinci


"I never saw an ugly thing in my life: for let the form of an object be what it may - light, shade, and perspective will always make it beautiful."
John Constable (1776 - 1837)


"An essential aspect of creativity is not being afraid to fail."
Dr Edwin Land


"The absence of flaw in beauty is itself a flaw."
Havelock Ellis (1859 - 1939), Impressions and Comments (1914).


"I like nonsense, it wakes up the brain cells. Fantasy is a necessary ingredient in living, it's a way of looking at life through the wrong end of a telescope. Which is what I do, and that enables you to laugh at life's realities."
Dr. Theodore Geisel, a.k.a. Dr. Seuss

 

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